Tag Archives: Batman V Superman

The Man behind The Dark Knight rises by Kent Hill

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How did this wonderful film slip through the cracks? There was little to no word about this utterly enthralling and compelling story about the ‘other’ man behind the bat.

I admit to you now – I was in the dark. While comics were a staple of my formative years, as that time receded, my interest had diminished to ‘casual’  by the early 2000’s. Even then I was far from what you would refer to an an aficionado. Comics were flame bursts in the dark. Most of mine were not pristine, and I collected them by the bundle when my Grandmother would take me along with her to the Book Exchange and allow me to parlay a stack of her used paperbacks for a pile of superhero awesomeness.

But, back to the topic at hand. I read comics without much regard for who created them (that attention to detail I reserved for my first obsession, the movies). I was there to indulge, pure and simple. Still, as our awareness grows, so do we seek out ever greater detail – the mechanics that make our preferred mode of escapism tick and thus our experience is enriched and the depths of our interest continue to descend into the pop culture sea that abounds, seemingly fathomless.

Such is the story brought to life by Don Argott and Sheena M. Joyce. Like the equally incredible Searching for Sugar Man before it, Batman & Bill traces the steps of the elusive Bill Finger – the man who, in case you didn’t know, co-created Batman with Bob Kane. And, like Sugar Man, the plot, which on the surface might seem to have a logical conclusion, just keeps unraveling as the real life seeker of justice, Marc Nobleman, tracks down and lets the sun shine brightly on the life, labors and legacy of Finger.

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Now I’m not going to spoil this at all. You must, must, must seek out this glorious unfolding of a sad, arduous, but ultimately triumphant saga which is predominantly about rewriting history, but at its heart there is a drum that beats and reminds us to stand tall in the face of adversity, and the film depicts this, in the form of the mammoth uphill battle to place Finger’s name next to Kane’s as a creative force behind one of the truly monolithic heroes from the realms of illustrated storytelling.

All I will say is that the end broke me up like Field of Dreams always manages to. Yes, strong men also cry, to quote The Big Lebowski, but you’ll walk away from this film ever changed and with a sense of pride having seen honor restored, a name reclaimed and a final note so satisfying it’ll touch your heart.

Read the book, see the film, and as for right now enjoy my chat with the extraordinary team who have captured beautifully this tale of a watchful protector who fought with a pen mightier than any sword to see the ‘other’ man behind the Dark Knight, rise…

 

https://www.hulu.com/press/show/batman-and-bill/

https://www.sbs.com.au/ondemand/video/1360261187749/batman-and-bill (for Aussie viewers only)

https://www.amazon.com/Bill-Boy-Wonder-Secret-Co-Creator/dp/1580892892

 

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HE IS NED: An Interview with Max Myint by Kent Hill

2015 was the year. I was in Brisbane, Queensland, Australia at our version of San Diego’s Comic Con: SuperNova. I was there peddling my books but, in the booth next to mine, something amazing was afoot.

A giant banner held the image of the famous, or perhaps infamous Australian bush-ranger Ned Kelly; transformed and repackaged as vigilante, looking battle-damaged and bad-ass holding the severed head of a zombie in one hand and a loaded pistol in the other.

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That image invoked more than history and cultural iconography. It spoke to me as a concept so simple, yet compellingly cinematic. He is one of our country’s most treasured pieces from the past in a fresh guise and pitted against a dark, futuristic dystopia where the undead have evolved and formed a society in which humanity is not only a minority, but is being systematically wiped out.

Max Myint leads the creative team, spearheading, if you will, the rise of this epic saga of the man called Ned. A talented writer, sculptor and world-builder, the gutsy, gritty dark realm that he has helped usher in is about to explode on November 10. In the midst of the stench of rotting flesh and the searing of metal is something that commands attention. I for one can’t wait to see Ned’s rise and rise continue, and Max and his talented team blast this thing out into the masses . . . and watch it catch fire.

The living have surrendered…

Except for one man…

They call him Ned!

https://www.facebook.com/Iamnedcomic/

https://podcastingthemsoftly.com/2016/08/04/not-yet-a-major-motion-picture-but-hopefully-one-day-an-interview-wit-the-creators-of-the-man-they-call-ned-by-kent-hill/

Frank and Tim’s BEST OF 2016!

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Join us as we go our favorite films of 2016, give our assessment of the Oscar nominations, DC Films, and what are some of our favorite overlooked films by the Academy.  We hope you guys enjoy!

The Year was 2016, and Warner Brothers Dared to Be Different.

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With recent news of Ben Affleck’s directorial departure from the tentatively titled, THE BATMAN, the state of the DC cinematic universe is a bit uncertain, personally, I have full faith in Snyder and company because I think a lot remains to be seen.  One thing is for certain; the rabid echo chamber is loud as ever.  There are a lot of people who HATE the DC films.  Hate them with a fiery passion.  Hated them before they came out, and once the films came out, they acted as if someone set their Facebook page on fire.

In 2016, Warner Brothers took a huge gamble.  They set out to make films for adults, in their own way.  Sure, they had a lot of catching up to do in regards to the near flawless template that Marvel created, but Warner Brothers made a clear decision; they were making films by adults for adults.  Batman was a blood lusting killer.  Harley Quinn was the epitome of over-sexualization.  Jared Leto took the Joker to an almost unrecognizable level.  Jesse Eisenberg played the anti Lex Luthor.  Both films were so anti-PC, it was a cinematic revelation.

Perhaps there is some trouble at DC, but then again, maybe there isn’t.  The internet has birthed an overpopulated mass of film websites (PTS included) that are a constant trove of clickbait headlines (PTS NOT included).  It seems as if every day for the past year, the state of the DC universe was on the verge of collapsing.  The second JUSTICE LEAGUE film was canceled.  SUICIDE SQUAD 2 isn’t happening.  Early word is WONDER WOMAN is as big of a “mess” as the previous two films.  If there’s one thing I can tell you that I know for certain, no one really knows what’s going on other than the executives at WB/DC.

Here’s the bottom line.  BvS and especially SUICIDE SQUAD made a ton of money.  Sure, BvS underperformed a bit, but it still made a lot of money.  And both films made A LOT more money than the second and third installments of Marvel’s cinematic universe.  Worldwide, SUICIDE SQUAD made 746.6 million dollars, and that was WITHOUT opening in China, which is the biggest market next to America.  SUICIDE SQUAD was a flat-out hit, and Warner Brothers were so happy with it, they signed Margot Robbie to an exclusive deal, which includes the pseudo follow up Harley Quinn film directed by David Ayer.  Will Smith is getting his own Deadshot film, there will be an official sequel to SUICIDE SQUAD at some point, and the FLASH and AQUAMAN films are in the pipeline.

DC Films does not want to be Marvel Studios.  They want to be better, and they still can be.  They have the two most valuable superhero properties; Batman and Superman.  There could be any number of reasons why Ben Affleck decided not to direct THE BATMAN.  It could be the underperformance of LIVE BY NIGHT, it could be that he doesn’t feel comfortable directing a CGI-heavy film, or it could be something completely plausible that will surely be silenced by whatever website decides the real reason is.  Basically, it does not matter.  Ben Affleck is still the Batman, and he still developed the script and is still producing the picture.  If I had to venture a guess as to what’s going on with Affleck is that he’s struggling with whether he wants to be a movie star or an auteur, because realistically, he cannot be both.

 

 

 

BATMAN V SUPERMAN DAWN OF JUSTICE – A Review by Frank Mengarelli

“That’s how it starts. The fever, the rage, the feeling of powerlessness that turns good men cruel.”

Zack Snyder’s BATMAN V SUPERMAN DAWN OF JUSTICE is unlike any superhero film we’ve seen before. It is brazen and it is bold, it is disjointed and over packed with setting up the new DC Universe. When I say that this film is a complete mess, I mean it in the way of how APOCALYPSE NOW is a complete mess. BvS cannot be compared to any existing, non-universe, DC film that came prior, and it certainly cannot be compared to anything that Marvel has done. Marvel likes to follow a template. They know what works and what doesn’t, and they certainly do not take many risks at all. BvS takes risk after risk after risk, and by doing so Snyder has made a remarkable film.

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The casting of Ben Affleck as the fifty year old Bruce Wayne/Batman was a brilliant move by Snyder and Warner Brothers. We know who Batman is. We’ve seen Batman’s story countless times. There’s nothing more that can be said about him. Michael Keaton was perfect, Val Kilmer was admirable; George Clooney fully admits his turn almost killed Batman, and the Bale/Nolan trilogy was a godsend to the Batman’s onscreen presence. Now, we get to see the version of the Batman that some of us have always wanted, and a lot of people didn’t even know they wanted. We see what comes after everything we have seen prior. The Batman is older; he’s even more cynical and jaded. He’s given up on hope and resorted to his anger, his vengeance. He has become a killer.

Affleck’s take on Batman may just be the best one yet. He has resorted to his primal brutish instincts with one goal in mind. He doesn’t want to make Superman submit; he doesn’t want Superman to stand trial and have society serve justice for the atrocity he’s brought to the world. He wants to kill him, and if he can’t, he will die trying. Affleck transforms the Batman into a battle worn warrior. He is a man who doesn’t care about peace and justice, he is a man who has a blatant disregard for hope.

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Zack Snyder is the epitome of a polarizing filmmaker. He has a solid fanbase who are passionate about his films. Snyder has an equally loud echo chamber made up of people who strongly dislike him. Who refuse to give him credit for anything positive. There is not another filmmaker alive who could have made a Batman/Superman film that sets up not only the Justice League, but also an entire new universe to be explored. Zack Snyder, takes everything that was thrown at him: a follow up to MAN OF STEEL, introducing a new Batman without spending a film giving him an origin, introducing Wonder Woman, Cyborg, the Flash, and Aquaman. Snyder not only did all these things, but excelled in a remarkable way.

Yes, it’s another superhero film. Yes it’s another big budget blockbuster. Yes, it’s going to set up multiple franchises that we’ve already seen. But it has never been done in such a magnificent way. Affleck, along with Jeremy Irons as the new Alfred, and Jesse Eisenberg as the smoke screen for the real Lex Luthor, all bring pre-existing gravitas with them. Immediately adding validity to characters so we don’t need to spend a movie a piece building up backstory for them

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Film critics, whether professional or Facebookers/bloggers, who don’t like this film, who are relishing in the critical shitstorm this film received, already made their minds up that they were going to hate this film. Much like IndieWire and a few other websites tried their absolute hardest to sink TRUE DETECTIVE season 2 before it even aired, the way some critics approached the new Star Wars film in a highbrow, disregarding way – DAWN OF JUSTICE suffered much of the same fate, but none of that matters. The film is going to and already has broken box office records, and the dark and dreary foundation of the new DC Universe is set.

There is a striking moment in the film that was shown in the first trailer. The second Robins suit is displayed in the Batcave with spray paint on it: “The joke is on you, Batman!” Not only does this tell us, in part, of why the Batman is so angry and rage filled, but I can’t help but think that is also a way of Snyder saying that to his haters, those who rallied hard against this film: the joke is most certainly on you.