Tag Archives: Sean Connery

“Do we really suck, or is this guy really that good?” : An Interview with Michael Davis by Kent Hill (PART 2)

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I really love this gig. I really do. I’ve had the distinction of being able to converse with many a hero and much admired artist over my time at PTS. There have though, been a few surprises along the way – and this was one of them.

I have long wanted to chat with Michael Davis. Part of it, and I’m sure you’ll agree having seen his films, that here is a man who went from making 100 Women to writing and directing the most-excellent, ballet of bullets that is Shoot ‘em Up. And you just need a few minutes of talking with Michael to understand how this was possible.

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They say Scorsese has a machine-gun-mouth. Well listening to Michael is like standing next to Jesse Ventura firing Ol’ Painless. And – WOW – what a delight, the frenetic and passionate electricity that this man generates in infectious. Michael’s initial overview of the birth of his career is one of the most entertaining I’ve ever heard. From his beginnings as a storyboard artist, to various writing assignments (don’t say Double Dragon out loud), to his eventual directorial debut; it’s a madcap movie marathon coming at you – at high speed!

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Our conversation was so enthralling, so engaging, that I would be doing my guest a severe injustice to cut even a moment of it. So I shall be presenting it to you as a trilogy. Each section I promise is as entertaining as the last. So, don’t touch that dial, and prepare yourself to experience the film-making personification of the perfect storm that is . . . Michael Davis . . . . . . PART 2.

{FOR THOSE WHO CAME IN LATE . . . : https://podcastingthemsoftly.com/2018/03/25/do-we-really-suck-or-is-this-guy-really-that-good-an-interview-with-michael-davis-by-kent-hill-part-1/}

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After the Apocalypse: A Conversation with Barry Hunt by Kent Hill

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There are too few films in this day and age that leave you with something to ponder in the wake of experiencing them. But, The Further Adventures of Anse and Bhule in No-Man’s Land is, I’m pleased to report – does not fall into that category.

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As I remarked to its gentleman director – Barry Hunt – I found myself thinking to the influences which drove his artistic choices and compositions. I found traces of Herzog, Annaud, Jodorowsky – even Samuel Beckett.

For you see, this ain’t your typical day in the wake of the devastation of the world as we know it. Mr. Hunt has crafted here a sublime and visual feast that is as deep as it is vast. I found myself recalling films like Quest for Fire, Aguirre and Holy Mountain – even the lost children scenes from Mad Max: Beyond Thunderdome.

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One of the founders of the Sowelu Theatre in Portland , Oregon, Hunt has taken this intriguing, theatrical source material and constructed a film which is at once engaging and thought-provoking. And you can’t tell me there are too many films about which offer these sensations anymore. From the opening scene, to the world after the fall, Anse and Bhule also brought back to me the emotions evoked by McCarthy’s The Road. Both are absorbing journeys in which the characters we follow must shed, if you will, their emotional and even physical ties to all they have known. Then and only then can they truly become creatures of the new age, thrust upon them.

I urge you to seek this film out, and prepare yourself for a profound cinematic experience. The burgeoning cinema of Barry Hunt I eagerly anticipate. He has a new film in the spawning, and I have a feeling it will, just as Anse and Bhule did, exceed my expectations while completely stripping them away.

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I present a fresh and brave new voice in the service of pure cinema. I give you, Barry Hunt.

 

For Your Ears Only: You Only Live Twice

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Frank and Tom are back discussing the late Lewis Gilbert’s YOU ONLY LIVE TWICE which came out in 1967 and at the time was Sean Connery’s last outing as Bond. As we know he came back twice, in one officially sanctioned Bond film and then in an unofficial Bond film, Never Say Never Again. This is the film that unmasks Ernst Stavro Blofeld for the first time with Donald Pleasence playing the seminal villain. Roald Dahl author of Charlie and the Chocolate Factory wrote the screenplay for Lewis Gilbert who went on to direct The Spy Who Loved Me and Moonraker and who rose to promise as the director of 1966’s Alfie starring Michael Caine. Mr. Gilbert recently passed and we would like to dedicate this podcast to him.

“Do we really suck, or is this guy really that good?” : An Interview with Michael Davis by Kent Hill (PART 1)

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I really love this gig. I really do. I’ve had the distinction of being able to converse with many a hero and much admired artist over my time at PTS. There have though, been a few surprises along the way – and this was one of them.

 

 

I have long wanted to chat with Michael Davis. Part of it, and I’m sure you’ll agree having seen his films, that here is a man who went from making 100 Women to writing and directing the most-excellent, ballet of bullets that is Shoot ‘em Up. And you just need a few minutes of talking with Michael to understand how this was possible.

They say Scorsese has a machine-gun-mouth. Well listening to Michael is like standing next to Jesse Ventura firing Ol’ Painless. And – WOW – what a delight, the frenetic and passionate electricity that this man generates in infectious.

 

 

Michael’s initial overview of the birth of his career is one of the most entertaining I’ve ever heard. From his beginnings as a storyboard artist, to various writing assignments (don’t say Double Dragon out loud), to his eventual directorial debut; it’s a madcap movie marathon coming at you – at high speed!

 

Our conversation was so enthralling, so engaging, that I would be doing my guest a severe injustice to cut even a moment of it. So I shall be presenting it to you as a trilogy. Each section I promise is as entertaining as the last. So, don’t touch that dial, and prepare yourself to experience the filmmaking personification of the perfect storm that is . . . Michael Davis . . . . . . PART 1.

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Highlander 2: The Quickening

I have no words for Highlander 2 other than ‘what in the actual fucking fuck.’ I can’t call it Russell Mulcahy’s Highlander 2 because the poor guy tried to have his name removed from the credits, and who could blame him, really. In fact, it’s so thoroughly godawful it shouldn’t even be called Highlander, either. It’s ‘Movie X’, fit only for quarantine and to be blasted off into space so the folks on fictional planet Zeist can keep it. I love the first Highlander, it’s a camp cult rock n’ roll sci-fi sleeper classic, and any sequel would have large shoes to fill. What can be found here? Time travel. Outer space. An artificial ozone layer. Autistic porcupine alien assassins. Michael Ironside ripping off Clancy Brown’s beloved Kurgan villain so blatantly it hurts. Christopher Lambert in old age makeup that looks like it inspired Jackass’s Bad Grandpa. A Sean Connery montage visiting a tailor set to the William Tell Overture. I know all these ingredients could potentially brew up an even zanier cult classic than the original, but nope, no sir. This movie is a badly told story with scant context and zero continuity in both connective tissue to the first film and finding any organic roots of it’s own. Lambert’s Connor McLeod appears to be both old, young and somehow from a different planet, oh and he helped build a synthetic ozone layer to protect earth, a subplot both arbitrarily drawn up and coincidentally concocted around the same time as Total Recall came out, which I’m sure is just one big coincidence, ho ho. Ironside plays some radical called Katana who travels to earth and through time (wat) to kill Connor because there can be only one, a mantra that the film also happily dismantles in its earnest quest to bury the legacy of the first film in confusion and custerfuckery. I won’t even begin to describe Virginia Madsen’s haphazard love interest, a ‘scientist’ who winds up in bed with McLeod like minutes after she’s met him and seen him reverse age randomly and get young again. I’ve heard that Lambert would only do the film if Connery did too, and that the pair formed a bond working on the first film. The studio would have been better off just pitching their bucks in for the two of them to take a fishing trip together, no cameras involved, and save us all the headache.

-Nate Hill

For Your Ears Only: Thunderball

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Tom and Frank are back with their latest installment of Podcasting Them Softly’s James Bond series, For Your Ears Only. This time they discuss Terence Young’s final outing as Bond helmer with THUNDERBALL. Tom and Frank are joined by fellow James Bond aficionado Mark Ashby as they discuss in great detail what many consider one of the best Bond films.

“By the look of you, you haven’t come to bob for apples.” : Remembering Sword of the Valiant with Stephen Weeks by Kent Hill

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“How the hell do I relieve myself in this tin suit?”

Sword of the Valiant might come across as just another Cannon curiosity, especially for the uninitiated. For the casual observer it may simply look like another film in which another director managed to con Connery into yet another pair of strange/fancy duds?

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But while Boorman managed to get Sean to into his Zardoz get-up, which for my money is more so in the strange/fancy category than SOTV, the film in total is both an elegant and joyful rendition of the days of Arthurian legend from my guest in this interview, Stephen Weeks.

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Yes before Connery got to be the king himself in First Knight, before Clive Owen and way before Charlie Hunnam – in days of old, when knights were bold, there was the tale of Sir Gawain and the Green Knight, which as I discovered, is not the film I know it to be. Turns out I’ve no seen it in all its glory…

Working with Cannon was by no means a cakewalk, as Stephen shall tell you. And the subsequent release of the picture was grossly mishandled. Thus, the world has really not experienced this movie as the filmmaker’s intended, and that was one of many intriguing tales proffered me by the eloquent Mr. Weeks.

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This was not his first rodeo, having made a version of the film some years earlier, Stephen saw this as an opportunity to expanded his canvas. Unfortunately for him and what no one knew, or knew well enough, at the time, was the grimy underbelly of the behemoth at the top which sat Golan and Globus.

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Despite these trappings, and now knowing what I know, I still love the movie and feel privileged to have been gifted an audience with its director, who not only informed and enlightened, but also entertained.

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Stephen Weeks is an impressive filmmaker and now is an accomplished author (please see the link to his work below). As a fan of his work and SOTV in particular, I enjoyed and hope you too shall enjoy, this little trip back into the mists of time – to a fantasy world, and a fantastic film…

 

 

For Your Ears Only: GOLDFINGER

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Frank and Tom are back with Podcasting Them Softly’s James Bond series, For Your Ears Only discussing Guy Hamilton’s GOLDFINGER and its impact on the franchise moving forward.

20,000 Leagues of Cinema and Literature: An Interview with C. Courtney Joyner by Kent Hill

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C. Courtney Joyner is a successful writer/director/novelist. He was a zombie in a Romero movie, he hangs out with L.Q. Jones and Tim Thomerson, he was once roommates with Renny Harlin and made the breakfasts while Harlin got the girls. It makes me think of Steve Coogan’s line from Ruby Sparks, “how do I go back in time and be him.”

Truth is we are the same in many instances. We’re just on different sides of the globe and one of us is in the big leagues while the other is at the scratch and sniff end of the business. But we both love movies and fantastic adventures. We both wrote to the filmmakers we loved long before the director became celebrity. We both longed for more info from behind the scenes – long before such material was in abundance.

He grew up in Pittsburgh, the son of a doctor and a reporter. He came of age in the glory days of monster movies and adventure fiction. Then he headed west and after college it wasn’t long before his writing caught the attention of producers and thus a career was spawned.

Spending those early years working with Charles Band and his company, Empire, Joyner was prolific, and soon the writer became a director. All the while he was working on a dream project, a work we all have in us, that he was fighting to bring into the light.

It was a love of Jules Verne and the “what if” type scenario that gave birth to the early version of the story that would become his current masterwork Nemo Rising; a long-awaited sequel, if you will, to 20,000 Leagues under the Sea.

His story would go through several incarnations before finally reaching the form into which it has now solidified. Swirling around him were big blockbuster versions which never quite surfaced. Names like Fincher and Singer and stars like Will Smith were linked to these big dollar deals.

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Unfortunately even Joyner’s long-form TV version came close, but didn’t get handed a cigar. So at a friend’s insistence he wrote the book and his publisher, in spite of the property being linked at that time to a screen version that fell apart, agreed to still put the book out.

Thus Joyner’s Nemo has risen and at last we can, for now, revel in it’s existence. I believe it is only a matter of time before it shall acquire enough interest – and the new major playing field – the field of series television may yet be the staging ground for Courtney’s long-suffering tribute to the genius of Verne and the thrilling enigma of a character known as Captain Nemo.

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Long have I waited to chat with him and it was well worth the wait. So, here now I present my interview with the man that director Richard Lester (The Three Musketeers, Robin and Marion, Superman II)  once mistook for a girl that was eagerly interested in film.

Ladies and Gentlemen . . . C. Courtney Joyner.

 

The Rise of Etcetera: An Interview with Kent Hill

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I definitely subscribe to this line you’ll find in the bio offered up on Shawn “Etcetera” McClain’s official site http://www.iametcetera.com/index.html, that he is indeed a modern day renaissance man, and all around musical professional who is commanding not only an audience, but also the respect and acclaim of heavy hitting industry insiders. The embodiment of hard work, a Multi-Award winning musician, entrepreneur and entertainment industry professional whose career includes world-wide recognition and acclaim.  He’s definitely no stranger to the limelight, and has carefully crafted a powerhouse of musical talent and stylistics that have garnered him an award for best Rap/Hip Hop album as well as two best video awards. 

He has recently set his sights on film and television, becoming the music director and crafting monumental tracks for the highly anticipated martial arts comedy film “Paying Mr. McGetty,” and the test pilot TV series “Kelly’s Corner” His repertoire doesn’t include the standard checklist, instead he has found immense success as a fragrance designer, sports manager and actor.  His creative skills span the spectrum and have gained him a cult following and record stopping sales. 

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All of the above sounds very grand. But, what I discovered when I talked with the man was a down-to-earth family guy who has devoted his life to his pursuits. I read a great article recently, that talked primarily about whether or not one should give up on their dreams. There was no definitive answer, but there was one truth that I took away from that piece; that if your are out there giving it all that you have, in spite of the success you may or may not receive, then you are living the dream – and that is something not everyone can boast. Etcetera is such a man, and his labors have proven fruitful. I was surprised at his candour, awed by his passion and thought it brilliant that he is an enthusiastic comic book aficionado, who still may yet have a chance to have his music become a part of the DC Extended Universe.

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He is a really cool guy that I hope to hang out with some time. In the meantime, pull up a comfy chair, kick back and listen to the man of music, fragrance and comic book love. Ladies and Gentelmen . . . I give you, Etcetera.